Johnson was an Indian film score composer and music director who has given music to some of the most important motion pictures of Malayalam cinema, including those for Koodevide, Namukku Parkkan Munthiri Thoppukal, Oru Minnaminunginte Nurunguvettam, Vadakkunokkiyantram, Perumthachan, Amaram, Njan Gandharvan, Ponthan Mada, and Bhoothakkannadi.
He was noted for his lyrical and expressive melodies together with
simple but rich tonal compositions of thematic music. Johnson is a
recipient of National Film Awards twice and Kerala State Film Awards five times.
He started his career as an assistant to G. Devarajan in 1970s,[1] and debuted as an independent composer in late seventies with Aaravam.[2] He was a recurrent collaborator for directors Padmarajan, Bharathan, Sathyan Anthikkad, T. V. Chandran, Kamal, Lohithadas, Balachandra Menon and Mohan.[2] He has composed music for more than 300 Malayalam films, the most by any composer except for Devarajan.[2] He died in Chennai on August 18, 2011 due to a heart attack.[3]
(26 March 1953 – 18 August 2011)
Early life
Johnson was born in a musically affluent Christian family in Nellikkunnu, Thrissur,
Kerala, on 26 March 1953. His father was a bank employee. Johnson was a
singer in the choir of Nellikkunnu St. Sebastian’s Church. He obtained
training in guitar and harmonium
from his colleagues during this early periods itself. He used to sing
in youth festivals and musical shows and joined the orchestra team of
some local troupes and played harmonium in many concerts. He also used
to sing in the female voice in ganamelas(a stage show where film songs
are sung by local or professional artists).[4]
In 1968, Johnson and his friends formed a club named Voice of
Thrissur. Johnson was the main instrumentalist in the club where he
played wide varieties of instruments – guitar, harmonium, flute, drums and violin.[4]
Within a few years, the club became one of the most sought after
musical troups in Kerala, and had more than fifty members. This club
used to give accompaniment music to playback singers Jayachandran and Madhuri in their musical shows. It was Jayachandran who introduced Johnson to G. Devarajan, one of the most prolific composers of South Indian cinema then. Devarajan literally adopted Johnson and brought him to Chennai in 1974. Johnson bought an accordion, during this period, from R. K. Shekhar (A. R. Rahman‘s father), and began assisting Devarajan in filmscoring and composing. [4]
Film scoring and soundtracks
Johnson began his independent career by composing the film scores of Bharathan‘s Aaravam (1978), Thakara (1980) and Chamaram (1980). He composed his first soundtracks for the film Inaye Thedi, debut film of director turned still photographer Antony Eastman and actress Silk Smitha. It was Devarajan himself, who suggested Johnson to the director. Then came Bharathan‘s Parvathi and Balachandra Menon‘s Premageethangal. Premageethangal
was a notable success with four of its songs – “Swapnam Verumoru
Swapnam”, “Nee Nirayoo Jeevanil”, “Muthum Mudipponnum” and
“Kalakalamozhi” attaining cult status.
He came to prominence through his collaboration with Malayalam author and director Padmarajan. Koodevide
was their first venture, which had one of the most famous songs of
Johnson “Aadivaa Kaatte”, a pathbreaking song in Malayalam music
history. It was one of the first songs in Malayalam to have a grant
orchestral score and the song was born out of Padmarajan’s need for a
western song for his innovative film. Song composition took place in
Woodland’s Hotel, Chennai. Another notable feature of this song was the lyrics by O. N. V. Kurup, who for the first time wrote lyrics for a pre-composed song.[4] Johnson worked for 17 films with Padmarajan, including his last film Njan Gandharvan.
This productive collaboration saw the detailed screenplay and
cinematography of Padmarajan become a fertile ground for expressive
musical narration and thematic scores for Johnson. This is seen in some
of the greatest motion pictures of Malayalam cinema, like Namukku Parkkan Munthiri Thoppukal (1986), Oru Minnaminunginte Nurunguvettam (1987), Nombarathipoovu (1987) and Perumthachan (1990). Another notable collaboration of Johnson was with director Sathyan Anthikkad,
with whom he associated in almost 25 films. He was able to provide some
of his most popular songs with Anthikkad and this combo is widely
accepted to be one of the greatest director-composer collaborations in
Malayalam cinema. Acclaimed Malayalam director Bharathan also collabrated with him in multiple films including Parvathy, Palangal, Ormakkayi, Kattathe Kilikkoodu, Ente Upasana, Oru Minnaminunginte Nurunguvettam, Ozhivukalam, Malootty, Chamayam and Churam. His major other collaborations with directors include Mohan (Oru Katha Oru Nunakkatha, Sakshyam, Pakshe and Angane Oru Avadhikkalathu), Sibi Malayil (Kireedam, Chenkol, Dasaratham and Nee Varuvolam), Sreenivasan (Vadakkunokkiyantram and Chinthavishtayaya Shyamala), Lohithadas (Bhoothakkannadi and Arayannangalude Veedu), Kamal (Peruvannapurathe Visheshangal, Shubhayathra, Ee Puzhayum Kadannu and Paavam Paavam Rajakumaran), and Balachandra Menon (Shesham Kazhchayil, Premageethangal, Kilukilukkam and Kelkatha Shabdam).
He is also noted for his collaboration with the Malayalam lyricist Kaithapram Damodaran Namboothiri. Their association began in 1989 with Sathyan Anthikkad‘s social satire Varavelpu.
Most of Jonhnson’s notable works came in late eighties and early
nineties. In 1991, he scored a record number of 31 films, including 29
with Kaithapram.[4] Johnson won National awards for two consecutive years. He won his first National Award in 1994 for the motion picture Ponthan Mada (1993). The next year he got his second award for Sukrutham. Both the awards were for the background score in films.
After an extremely successful career of more than a decade, Johnson
took a sabattical from film scoring by the end of nineties. The quality
and quantity of his works began perishing during this time. By the
beginning of 2000s, he didn’t sign any new projects that even his most
noted collaborator Sathyan Anthikkad had to find a new composer. In
2004, he sang the song “Theekuruvi” from Kangalal Kaidhu Sei, which was composed by A. R. Rahman. Perhaps it is the only song recorded by him for any composer. He returned strongly to the field with Photographer in 2006, which fetched him numerous awards.[5]
Non-cinematic outputs
Johnson has released four non-film albums. His first album Sneha Deepika
was released in 1989 on Tharangini audios. It had nine Christian
devotional songs – “Aathma Swaroopa”, “Unni Yesu Pirannu”, “Manninum
Poovinum”, “Thumbapoo Polulla”, “Bhoomikku Pulakam”, “Manassakumengil”,
“Kulir Choodum”, “Arthungal Innoru” and “Vidarnna Punchiri”. The
featured artists were K. J. Yesudas, K. S. Chithra and Sujatha.[6] His second album Onathappan, a collaboration with M. G. Radhakrishnan and Berny-Ignatius, consisted of nine festival songs. The track “Mundon Paadam” was composed by Johnson, sung by M. G. Sreekumar and had lyrics penned by Bichu Thirumala.[7] His third album Nannipoorvam Johnson,
consisted of twelve tracks – “Chandanakkavilinnu”, “Panineeru Peyyum”,
“Vasundhare”, “Virunnu Vanna”, “Prapanjam Sundaram”, “Enthe Nee
Varathe”, “Nilasandhyayil”, “Veruthe Onnu”, “Ponnazhikkuttu”,
“Pranayappirave”, “Kalindhi”, and an introductory speech by Sreenivasan. In 2009, he released his second Christian devotional album entitled Parishudhan. It had eleven tracks – “Vazhiyum Sathyavum Nee Thanne (Vijay Yesudas), “Mullukal Kuthi” (Chithra), “Ariyathe Polum” (G. Venugopal), “Neethimanayavane” (Sujatha), “Traditional song” (Louis), “Mazhayum Veyilum” (Rimi Tomy), “Oru Viral Sparshathal (Sudheep), “Loka Palaka” (Chithra), Neethanthamam (Vijay Yesudas), and “Kannukalil Theliyum” (Manjari).
Music style and impact
His skilful integration of textual rhythm of the lyrics together with
rich tonal arrangement, redefined songwriting in Malayalam cinema,
since the late 1980s. In his film scores, Johnson combines native South
Indian melodic patterns with the harmonic structure of European
classical music and this has attained an expressive form of narration
through film score.[8]
He composed for about 300 films. Though he has obtained no formal
training in classical music, he was able to incorporate the beauty of Carnatic ragas in his songs. Most of his songs were composed on Kalyani raga.
Johnson’s favourite male singer was K. J. Yesudas, who has recorded many songs for him, while S. Janaki and K. S. Chithra were his favourite female singers. Chithra had some of her most noted songs with Johnson.[9]
Johnson is fondly called Johnson Master (Johnson Mashu) by Malayalee
audiences. He is affectionately described as the “John Williams of
Malayalam cinema”, after the Hollywood composer John Williams.[8]
Awards
Johnson won the National Film Award for Best Background Score for the films Ponthan Mada (1994) and Sukrutham (1995).[10]
Johnson is the only composer to receive this rarely given award twice.
He was the first Malayalee music composer to receive an award in music
category and is also the only Malayalee music director who received two
national awards in music category. Actually his first national award for
Ponthan Mada, not only for background score but also for Best Music Composer. This film has one song Adimarunge ayyayya lyrics by O. N. V. Kurup and sung by K. S. Chithra and chorus composed by Johnson.
This is a folk song. National film award committee noted that he
brilliantly conceive western folk tunes into this song. So award given
for best music direction and background score of this film. He has
received three Kerala State Film Award for Best Music Director, for the films Ormakkayi (1982), Vadakkunokkiyantram and Mazhavil Kavadi (1989), and Angane Oru Avadhikkalathu (1999). He was awarded the Kerala State Film Award for Best Background Music for the films Sadayam (1992) and Sallapam
(1996). He has thus received five Kerala State Film Awards in music
category, an achievement he shares with Devarajan. He has received the
Kerala Film Critics Awards four times, the most recent in 2008 for Gulmohar. In 2007, he won the Mathruboomi Award for Best Music Director for Photographer (2006).[11]
He won the Mullasserry Raju Music Award for the song “Enthe Kannanu
Karuppu Niram”, also from the same film. In addition, he has received
numerous other awards and nominations including Devarajan Master
Memorial Award and Raveendran Master Memorial Award.[12]
Death
Johnson, popularly known as ‘Johnson Master’ died in Chennai
on 18 August 2011 at the age of 58, due to a heart attack. The
Government of Kerala gave all official honours for his funeral which was
held in his hometown, Thrissur. He is survived by his wife – Rani
Johnson, daughter – Shan Johnson and son – Renn Johnson. On 25 February
2012, Renn Johnson, an engineer by profession, worked at Connectivity
Data Systems LLC died in a motor bike accident at Chennai.[13]
Partial discography
Original scores and soundtracks
Original scores
The following lists out the films in which Johnson composed the background score but not songs.
- Aakaashakottayile Sulthaan
- Aalorungi Arangorungi
- Aaraante Mulla Kochumulla
- Aaravam
- Aaryan
- Arabikkadal
- Abhimanyu
- Adimachangala
- Agnisharam
- Ambada Njaane
- Amaram
- Amrutham
- Arayannangalude Veedu
- Avidatheppole Ivideyum
- Bharatham
- Chamaram
- Chithram
- Chakravalam Chuvannappol
- Chithrathoonukal
- Dhanam
- Dheem Tharikidathom
- Ee Kaikalil
- Ekantham
- English Medium
- Ente Hridayathinte Udama
- Ente Kaanakkuyil
- Ithum Oru Jeevitham
- Iniyum Kurukshethram
- Kaanaakkinaavu
- Kaarunyam
- Kaaryam Nissaaram
|
- Puzha
- Paadamudra
- Parinayam
|
|
Non-film albums
- Rajavu ezhunallunnu – Christian devotional album .Audio by manorama music (2011)
- Parishudhan (2009)
- Nannipoorvam Johnson
- Onathappan
- Sneha Deepika (1989)
Notable songs
In an interview with Malayala Manorama, Johnson listed the following 13 songs as his favourite songs.[4]
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