Richard Thomas Gill was an American economist and opera singer. He held several teaching and administrative positions at Harvard University over a period of twenty-two years died from heart failure he was , 82. He was Assistant Dean of Harvard College, Allston Burr Senior Tutor (Dean) of Leverett House, and Teaching Fellow, Instructor, and Assistant Professor of Economics. In 1963, he received tenure as Lecturer on Economics and Master of Leverett House.
(November 30, 1927 – October 25, 2010)
Gill was born on November 30, 1927, in Long Branch, New Jersey. Though he did not study voice formally, Richard was a boy soprano in his church choir and played the clarinet. At 16 he entered Harvard, where he sang in the glee club. Gill left Harvard to serve in the United States Army where he saw duty during the American Occupation of Japan. After completing his military service, he returned to Harvard, where he completed his undergraduate degree in 1948. He came back to Harvard after doing graduate work in philosophy at the University of Oxford and was named an assistant dean at Harvard at the age of 21. He earned a Ph.D. in economics from the university in 1956.
For over a decade, he directed Economics 1, which became the largest elective course in the previous history of Harvard College. He also taught courses in economic development, public policy, and economic theory for both graduate and undergraduate students.
He was a member of numerous university committees, including the Committee on Educational Policy, the Administrative Board, the Kimball Fund, the Committee on Admissions and Scholarships, and the Ford Faculty Fellowship Program. He was the co-author of a major report on the reform of the Harvard General Education Program, and the sole author of a report on Harvard’s honors and tutorial programs.
Richard Gill left Harvard in 1971 and spent the next decade and a half as an opera singer. He made his debut as principal artist (bass) with the New York City Opera, his roles there including Sarastro (The Magic Flute), Enrico (Anna Bolena), Sir Giorgio (I Puritani), Seneca (Poppea), Colline (La bohème), Pogner (Die Meistersinger von Nürnberg), and others.
He made his debut with the Metropolitan Opera in 1973. His roles there included Pimen (Boris Godunov), Friar Laurence (Roméo et Juliette), Timur (Turandot), Iero (Siege of Corinth), Commendatore (Don Giovanni), and others.
He appeared as principal artist with the opera companies of Chicago, Houston, Dallas, Boston, Washington, D.C., Pittsburgh, Caracas. Toronto, Edinburgh, Amsterdam, and many others. He was in several world premieres including Philip Glass’s Satyagraha.
He also appeared as a soloist with symphony orchestras, including the New York Philharmonic (under Leonard Bernstein), the Boston Symphony, Pittsburgh Symphony, St. Louis Symphony, and many others. His radio appearances included several Texaco Metropolitan broadcasts, Chicago Lyric broadcasts, and broadcasts of the New York City Opera, New York Philharmonic, and Radio France, Paris. He also appeared in a telecast of Joan of Arc produced by the Canadian National Opera.
While a singer, he was elected to the Board of Governors and subsequently First Vice President of the American Guild of Musical Artists (AGMA), the principal union for classical operatic singers, ballet dancers, and stage directors in the United States.
Gill was the primary economic analyst on the Annenberg–CPB television series Economics U$A.
He had written 11 textbooks, one novel (The Taking of Farnham Hall: Searching for Reality in the 1960s, 2003), and several short stories.
A resident of Chocorua, New Hampshire, Gill died of heart failure at the age of 82 on October 25, 2010 in Providence, Rhode Island.
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Dolores Mae Wilson was an American coloratura soprano who had an active international opera career from the late 1940s through the early 1960s. Beginning her career with major theatres in Europe, she performed in six seasons at the Metropolitan Opera in New York City during the 1950s. She is perhaps best known for originating the title role in the world premiere of Douglas Moore‘s The Ballad of Baby Doe at the Central City Opera in 1956. After abandoning her opera career, she embarked on a second career as a musical theatre actress; making several appearances on Broadway in the following decades.
(August 9, 1928 – September 28, 2010)